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Press
Information: Sue Lowry / Melanie Childs
Magellan
Public Relations
Tel: 020
8875 2850;
Fax: 020
8875 2851
E-mail: [email protected]
RESTORATION DRAMA
"A Georgian townhouse hotel to international 5 Star Luxury
standards, arranged around a large sheltered town garden. The four List I
houses to be fully restored in all their period detail and to be suitable
for modern hotel use."
The Merrion, Dublin's most stylish 5-Star Luxury hotel, which opened in
October 1997, has been created from four magnificent Grade I Listed 18th
Century terrace houses, forming the Main House of the hotel, and a
specially commissioned contemporary Garden Wing. The hotel stands on Upper
Merrion Street, in the centre of the city, opposite Government Buildings,
the seat of the Irish government.
The architects for The Merrion were Burke-Kennedy Doyle & Partners
(BKD&P). Since its foundation in 1959, this award-winning Dublin
practice's objective has been the production of good quality progressive
architecture and design. With major private and institutional clients, BKD&P
has expertise in a range of work that varies widely in scale and type,
with particular experience in hotel design and sport and leisure
facilities.
The historical importance of the houses and the substantial nature of
the project meant that careful planning was needed. The Architect dealt
with all relevant parties, including An Taisce (the Irish National Trust),
and Planning Permission was granted after two years. Before the main
contractor received possession of the site detailed recording and
investigation work had to be carried out. All walls, ceilings, fixtures
and fittings were detailed, recorded and catalogued where necessary.
Wherever possible, after cleaning, repairs and upgrading, restoration
has preserved original Georgian features such as doorcases, window frames,
floors and plasterwork.
The restoration of the plasterwork was undertaken by Séamus O'hEocha,
a master stuccadore skilled in the art of hand modelling lime based
plaster. In the first stage of restoration he and his apprentices removed
the layers of paint to reveal the plaster underneath. Missing cornice
details were then pre-cast and fixed in place. Blackthorn twigs had been
used originally to create three dimensional images and, where necessary,
Seamus replaced the blackthorn twigs to join those which had survived over
the centuries. Damaged, intricate details such as birds, flowers, fruit
etc. were remodelled by hand again using the same skills that would have
been used 200 years ago. - ends -
April 2001
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